In the books The Ultimate Avatar and Manu: For the Man to Come, the terms Krist, Kristos, and Kristianity are defined clearly and used in a symbolic and mytho-esoteric sense in order to prove that conventional mainstream exoteric Christianity is theologically flawed. These books present the krist concepts as expressions of an ancient Hyperborean, or Northern spiritual tradition, which pre-dates and became partially absorbed into mainstream Christianity. The krist, as in kristianity, is the true historical Christianity that has been corrupted and hidden from most people in modern times.
We have to initially very most importantly understand that the mainstream Christ figure and most of Christianity today itself have stolen this krist knowledge and reframed it into a Judaic-Zionist Masonic format where only a few truths piled on top of multiple lies remain. For example, the Mormons have knowledge of Lucifer, although it is stripped of its ancient Aryan symbolism and accuracy. Another example is the Catholics, who hold onto the blood memory in a false sacrament; however, they hide facts within mountains of lies and fabrications, in order to confuse Aryans and the real Kristos energy and history.
Within this framework, Kristos is not identified primarily with the historical Jesus but is described as a cosmic, initiatory principle associated with solar, polar, and runic symbolism. It represents a state of awakening and transformation rather than a singular historical figure. Christianity, in this view, is treated as a composite or mimic system that absorbed multiple older religious currents, including what the authors call an “esoteric Kristianity” rooted in Northern or Aryan symbolism.
Kristianity, as used in these texts, refers to an initiatory path and not just a belief system. It emphasizes inner transformation, sacrifice, and self-overcoming, often expressed through mythic structures such as the World Tree, runes, and the motif of death and rebirth. The figure of Wotan (Odin) is presented as an earlier expression of this krist archetype—one who undergoes sacrifice to gain wisdom—making hitler, Wotan, Krist, and related figures of a recurring mythic pattern with distinct historical personalities.
Lucifer also appears within this symbolic framework, not as a moral adversary but as a light-bearing or awakening figure associated with Venus and human illumination. In this interpretation, Lucifer is integrated into the same mythic continuum as Wotan and Krist, representing another expression of a single transformative principle rather than an opposing force, nor an evil force.
Within this same symbolic system, the books place Adolf Hitler as a central figure. He is presented not in political or historical terms, but as a mythic or initiatory embodiment of the same archetypal current associated with Krist and Wotan. The texts describe him as an “avatar” or vessel of this force, identifying him with the same symbolic lineage rather than treating him as a unique or independent origin. His role is framed as part of an ongoing metaphysical process rather than as a completed or perfected realization.
The books further integrate Hitler into their runic symbolism, particularly through motifs of crucifixion, death, and transformation associated with the Hagal rune, and through the addition of a Venus or eight-pointed star symbol that is said to complete an initiatory pattern leading toward the idealized “Sun-Man” or “Absolute Man.” This symbolic system frames historical events as expressions of an inner, mythic drama which become realized as political or ethical acts.
Finally, the texts present a departure-and-return motif, portraying Hitler’s disappearance as an initiatory withdrawal, rather than a conventional death, and linking it to expectations of a future re-emergence of the same archetypal current under a different form.
Taken as a whole, the books construct a closed mythological system in which Krist/Kristianity represents an initiatory, runic, Hyperborean principle, and Hitler is interpreted as a modern embodiment within that symbolic lineage, alongside figures such as Wotan and Lucifer—understood not historically, but as expressions of a single mythic archetype.